Official comment from Borough Council President, Heather Zink.
"The Interim Manager was a contracted employee. The contract has ended. It is a Personnel matter that I am not at liberty to discuss any further.
Additionally, We are in the middle of our search for a permanent manager and have no timeline to share at this time. The Chief assumed the position of Interim Manager yesterday. I have every confidence the Chief will be able to keep the data to day operations running until we have hired a permanent manager."
[Source: Columbia News, Views & Reviews]
Thursday, February 20, 2020
Police chief takes over as interim borough manager
According to the Columbia Borough website and Facebook page, Columbia Borough Police Chief Jack Brommer will take over as interim borough manager, effective immediately. No other details have been provided at this time.
Poster contest for Industrial Hemp Awareness Fair - Winner will be featured in local businesses and online!
Calling all 18 and under...would you like to create the advertising Poster for the Industrial Hemp Awareness Fair?
If so, please design a Poster With Facts about Industrial HEMP and include the name of the Event, location, date and time and submit it to: susanlove616.sl@gmail.com RE: Industrial Hemp Awareness Fair.
The winning Poster will be featured in local Businesses and on the Borough's FB page as well as the Event page.
You will also be recognized at the Awareness Fair.
Thank you for your participation.
Tuesday, February 18, 2020
What's up with that mural in the Columbia Post Office? Here's the story
Columbia History - Did you know?
Did you know the mural in the Columbia Post Office lobby was commissioned by the U.S. Department of the Treasury? It's true!
The painting "Columbia Bridge" by artist Bruce Mitchell was commissioned by the Treasury Department's Section of Painting and Sculpture (later named the Section of Fine Arts) in the 1930s. "The Section," as it was known, funded such murals as part of the cost of new post office construction, with 1% set aside for artistic enhancements. Mitchell completed the oil-on-canvas painting in 1938, three years after the completion of the post office at 53 North 4th Street. The canvas is attached to the inside north wall of the post office, just above the door to the postmaster's office.
The mural depicts 1850s Columbia Borough and shows a man astride a horse, carrying a bag marked "U.S. MAIL." The horse and rider are positioned before a red building, presumably a post office. A Conestoga wagon pulled by two horses is about to enter a covered bridge via a snow-covered road. A small train is also about to enter the bridge, on an attached side structure. In the center of the painting, a small footbridge connects to an islet containing a small red building. Government authorities initially thought the rendition of the bridge was inaccurate, but the artist prevailed despite the criticism. Mitchell noted that the bridge was the longest such structure in the world at the time. The bridge depicted is almost certainly the second Columbia-Wrightsville Bridge, which was completed in 1834 and burned on June 28, 1863 during the Civil War. [The actual bridge piers can still be seen today, just north of the Veterans Memorial Bridge.]
Unlike other New Deal programs such as the Works Progress Administration (WPA), the mural commissions were not a relief program but were selected from the winners of national and local art competitions. Almost 850 artists were commissioned to paint 1,371 murals, most of which were installed in post offices; 162 of the artists were women and three were African American.
Artists were asked to paint in an "American scene" style, depicting ordinary citizens in a realistic manner, and were encouraged to produce works appropriate to the communities where they were to be placed while avoiding controversial subjects. The murals were intended to boost the morale of Americans enduring the Great Depression by depicting uplifting subjects. Some people objected to the murals, however, believing the very idea was communist, because Soviet Russia was also making them at the time.
More than 1,200 original works of art were commissioned for post offices nationwide. Of those, 88 were in Pennsylvania and about 80 survive today. Of the original 88, about half were sculptures. Murals were usually painted on canvas but sometimes as frescos. Pennsylvania has the second largest number of such murals, behind New York.
Sources:
https://digitalcommons.unf.edu/historical_architecture_main/3573/
https://newdealartregistry.org/artist/Mitchellbruce/
https://livingnewdeal.org/projects/post-office-columbia-pa/
http://www.wpamurals.com/pennsylv.htm
https://en.m.wikipedia.org/wiki/List_of_United_States_post_office_murals
https://lancasteronline.com/news/such-a-deal/article_2ab0cfa5-6b5b-553b-b4f6-7e43615bf992.html
https://en.m.wikipedia.org/wiki/Columbia%E2%80%93Wrightsville_Bridge
Did you know the mural in the Columbia Post Office lobby was commissioned by the U.S. Department of the Treasury? It's true!
"Columbia Bridge" by Bruce Mitchell is displayed at the Columbia Post Office.
The painting "Columbia Bridge" by artist Bruce Mitchell was commissioned by the Treasury Department's Section of Painting and Sculpture (later named the Section of Fine Arts) in the 1930s. "The Section," as it was known, funded such murals as part of the cost of new post office construction, with 1% set aside for artistic enhancements. Mitchell completed the oil-on-canvas painting in 1938, three years after the completion of the post office at 53 North 4th Street. The canvas is attached to the inside north wall of the post office, just above the door to the postmaster's office.
The mural depicts 1850s Columbia Borough.
Unlike other New Deal programs such as the Works Progress Administration (WPA), the mural commissions were not a relief program but were selected from the winners of national and local art competitions. Almost 850 artists were commissioned to paint 1,371 murals, most of which were installed in post offices; 162 of the artists were women and three were African American.
Artists were asked to paint in an "American scene" style, depicting ordinary citizens in a realistic manner, and were encouraged to produce works appropriate to the communities where they were to be placed while avoiding controversial subjects. The murals were intended to boost the morale of Americans enduring the Great Depression by depicting uplifting subjects. Some people objected to the murals, however, believing the very idea was communist, because Soviet Russia was also making them at the time.
More than 1,200 original works of art were commissioned for post offices nationwide. Of those, 88 were in Pennsylvania and about 80 survive today. Of the original 88, about half were sculptures. Murals were usually painted on canvas but sometimes as frescos. Pennsylvania has the second largest number of such murals, behind New York.
Sources:
https://digitalcommons.unf.edu/historical_architecture_main/3573/
https://newdealartregistry.org/artist/Mitchellbruce/
https://livingnewdeal.org/projects/post-office-columbia-pa/
http://www.wpamurals.com/pennsylv.htm
https://en.m.wikipedia.org/wiki/List_of_United_States_post_office_murals
https://lancasteronline.com/news/such-a-deal/article_2ab0cfa5-6b5b-553b-b4f6-7e43615bf992.html
https://en.m.wikipedia.org/wiki/Columbia%E2%80%93Wrightsville_Bridge
After slow start, Columbia tops Lancaster Mennonite 68-58 in District 3 Class 3A boys basketball quarterfinals
After twice beating Lancaster Mennonite in the regular season to capture the L-L Section Five crown, Columbia completed the season sweep of the Blazers with Monday's win.
With the victory, Columbia (17-7) advanced to the district semifinals for the sixth time in nine years, second time under fourth-year coach Kerry Glover, and first time since 2017. Columbia also qualified for the PIAA Class 3A tournament.
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